I had a blast, I really enjoyed the buzz, the rush and the excitement of everything. Acting professional was almost too easy when I’m enjoying myself this much.

Preparation is a key strategy. Unfortunately the was no running order; it was almost like a shotgun wedding because people were all over the place. There was a total of 50 people at the wedding so comparatively small, even so it was hard enough trying to sort out everyone’s photos.

I had people queuing up to get the families taken with me. There was even a scuffle in the line as some people were queue jumping, but in a friendly way. Due to lack of experience I wasn’t able to read what type of photos they wanted, and I should have been more assertive in getting the families to do what I wanted them to do. Many of them thought I would just take one, but I always shoot 3-4 frames as a minimum! Even so, I wasn’t testing their patience enough and each shoot under a minute. However, with more experience, I could adjust it so that they are more comfortable in front of a camera.

But there are lessons which I shall share because I’m generous like that

• The bride and groom aren’t always right when it comes to photographic decisions so it’s best to be a bit pushier than normal. They will thank you later when you get that winning shot
• Always bring more business cards than you think you’ll need
• Find a location where you can setup a ‘photo’ corner. That was crucial in getting some of the shots. In addition to that, get a plan B in case the first location isn’t up to the job of fitting everyone in.
• Always bring a backup of everything, spare camera, lens, batteries, tripods, flashes. Don’t take the risk in thinking your primary equipment will work without fail. It’s a huge gamble, if it fails you will miss crucial shots which the party expects you to get
• You’ll need a Flash, I have a Nikon SB-800 which is very good, so good in fact that I bought two!

In the ever changing conditions it was very exciting to juggle the right white balance, ISO, Aperture, focusing and framing in a split second. And if it isn’t right then you DAMN better know your equipment to make those crucial adjustments so you capture that moment. The clients will love you for it.